|Blog Post written By Levin|
First off, let's begin with a video essay on one of my favorite films: Blue Valentine. It's probably one of the most truthful movies on love since Annie Hall because it manages to capture both the ecstasy of falling in love and the eventual heartbreak with frightening authenticity. It's one of those movies where you're worried about the actors because it looks just so damn real.
In this video essay, our slightly lethargic but very informative narrator counts the insane things they've done to get to this "frightening authenticity". Or, maybe, really, it's not that insane -- it's just a lot of work that doesn't feel like work. I mean, think about it, in the last movie you shot, did you make the actors rent/decorate a house and then live in it for a month to ensure they established intimacy? I guess a better question is -- why doesn't every movie? Is it that the standard movie doesn't NEED this kind of authenticity or is it because most people are afraid to commit to a movie this much? I don't know. But it sure as hell makes a difference when they do. Check out this video essay here.
|Also, this is the most misleading poster for any movie ever.|
As for our short movie of the week; I'm somewhat cheating again. (If you remember, the last short movie of the week was the opening of the video game The Last of Us, which you should absolutely see if you still haven't.) This week's movie is technically half of an episode of Louie, but I think it's a great example of simple, efficient storytelling and a tribute to the late Robin Williams. I know most of you will probably watch it thinking about the dark undercurrent of the piece in relation to Robin Williams -- that's how I stumbled upon it -- but also pay attention to the structure of the piece. It's basically a set-up and a punchline but a great, great one at that. Never underestimate the power of simplicity and tremendous execution! Check it out here.
Hope you've had a great week and you have many, many great weeks in your future!